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Los Angeles- John Baldessari at Sprüth Magers through December 9, 2017

Tuesday, November 28th, 2017

John Baldessari Interviewed in The Guardian

Tuesday, November 28th, 2017

John Baldessari Profiled in LA Times

Monday, May 22nd, 2017

New York – John Baldessari: “Pollock/Benton” at Marian Goodman Through December 23rd, 2016

Wednesday, December 21st, 2016

John Baldessari Interviewed on New BMW Art Car Design

Saturday, December 3rd, 2016

John Baldessari and Cao Fei Tapped for Next BMW Art Cars

Tuesday, June 21st, 2016

Los Angeles – John Baldessari at Sprüth Magers Through April 9th, 2016

Monday, March 21st, 2016

John Baldessari Profiled in NYT

Tuesday, March 1st, 2016

John Baldessari and Meredith Monk Honored at White House this Week

Sunday, September 6th, 2015

London – John Baldessari: “Pictures & Scripts” at Marian Goodman Gallery Through April 25th, 2015

Sunday, April 12th, 2015

Lynda Benglis Speaks with John Baldessari for Interview Magazine

Thursday, April 2nd, 2015

John Baldessari Talks Philip Guston in Video for The Met

Thursday, March 26th, 2015

New York – John Baldessari: “Movie Scripts / Art 2014″ at Marian Goodman Through November 22nd, 2014

Saturday, November 22nd, 2014

John Baldessari Collaborates with Visionaire on Selfie Series

Sunday, October 5th, 2014

John Baldessari Launches Edition of “Your Name in Lights” Project in Paris

Wednesday, September 17th, 2014

Wall Street Journal Features John Baldessari’s “Favorite Things”

Saturday, March 8th, 2014

Los Angeles, CA – Geffen Contemporary: LA Art Book Fair , Feat.. “Artists Read Baldessari,” Jan 31 – Feb 2, 2014

Sunday, February 9th, 2014

Moscow: John Baldessari: “1+1=1” at Garage Center for Contemporary Culture Through November 24th 2013

Saturday, November 23rd, 2013

Artists Baldessari, Kruger, Opie and Ruscha Join MOCA Search Team for New Director

Wednesday, September 25th, 2013

Berlin – John Baldessari: “Storyboard (in 4 Parts)” at Sprüth Magers Through November 2nd 2013

Saturday, September 21st, 2013

John Baldessari Interviewed in Financial Times

Sunday, September 8th, 2013

Garage Magazine Brings John Baldessari Together with Inez and Vinoodh for Cover Art

Monday, September 2nd, 2013

New York- John Baldessari “Installation Works: 1987-1989″ at the Marian Goodman Gallery Through August 23, 2013

Tuesday, August 20th, 2013

Baldessari and Ruscha Talk Artschwager at the Hammer Museum

Tuesday, July 9th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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